So a couple of weeks ago I was getting ready to drive to Edmonton for a friends/family visit.  On Saturday night I received an order for three canvas prints and it was heading to Edmonton too. Normally it take a week to 10 days but i thought  I would ask the local company 'Signed' owner Janet if she could get them done by Tuesday afternoon...and she said 'Yes'. 

I picked them up Tuesday afternoon, wrapped them up and then called Sherry who ordered them to see if she would be around on Sunday afternoon.  It was so fun to hand deliver the prints and get to meet Sherry.  

Thank you for the order and for the lovely visit Sherry!  I can't wait to see where you hang them.  :)  
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I have started a 100x100cm (40x40in) painting of a Great Grey owl.  More on that next week.  See you next Friday.  Have a wonderful weekend and I hope spring is springing where you are.   Thanks for dropping by. 

​Explaining my art in just a few seconds is not easy.  Every artist needs to figure out what is called an “elevator” pitch.  How can I hook someone in a very short period of time so that they will be interested enough to go and check out my paintings?  It is not so easy to do.
 
Part of my challenge is that I like to paint such a variety of themes.  Flowers, birds and still-life’s make the top of my lists…but other topics sneak in randomly.
 
It took me awhile to codify my watercolour flower paintings to I ‘paint summer sunshine all winter long’ (as winter is very long in Yellowknife).  I think that works quite well to explain in a simple way what painting flowers make me feel like.   I am quite happy with that.

​Now birds are relatively new to my painting life and I have yet to come up with that perfect phrase that captures how I feel about painting these amazing creatures.  I love their antics and how sometimes we don't even notice them around us as they go forth creating new life and living their lives.  

Maybe you can help me to find the perfect phrase to explain my bird paintings.  Check out more bird paintings HERE and comment below what strikes you when you first look at them.   
 
Thanks for dropping by.  See you next week Friday.  

​A number of my watercolour flower paintings have collectors who lived far away!   This painting called 'Grandma’s Garden' was transplanted to Nova Scotia!   I love the frame and matting.  I love how each person makes the painting their own with the framing and matting choices. 

​I do my watercolour paintings on 140lb Arches cold press paper which allows the painting to be carefully rolled for shipping.  I can ship paintings anywhere in the world in a tube.  Makes transplanting my watercolour paintings so much simpler.
 
Now the frame that this painting was displayed in is needing to be filled at Visual Effects with another pretty flower painting.  Watch for that in the next few weeks.  Still working on the commission.  Got a bit stuck with it but I have figured my way around it.  

​Below is the step by step process I do to get to the final painting.  I layer very pale washes until the value is correct on each petal.  The lighter the petal the more careful I have to be and often they take more layers to get to where I want them to be.  This painting I did the background last...which is different than I normally do.  But it works. 

Thanks for stopping by.  See you next week. 

A year ago I just took a deep breath and entered two paintings into the Richeson75 Still Life and Floral.  Much to my amazement one of my paintings was juried into the show.  So this year i go over to enter and look what I found!

The letter R is my flower!  Wow.  Wow. Wow.  So amazing. :)  Sometimes being brave has its rewards. 

Lol I entered again this year but I will tell you that I have no expectation to be juried in.  I think last year was just an aberration. 

Thanks for stopping by on a Saturday!  I just had to share and it couldn't wait until Friday. 

We traveled a fair amount in 2018.  The second trip we took last year was to drive from Yellowknife, to the Yukon for Arctic Winter Games meetings (my husbands), then all the way to Tuktoyaktuk and back to Yellowknife. 
 
We stopped the second night in northern BC at the Liard Hot Springs.  Ian is a hot spring kind of guy… me not so much.  My oldest had lent me his 300mm camera lens to use until he came to visit in July and I just walked around looking for birds. 

​I noticed this robin with a beak full of grubs, of course I took some photos. Then it flew to its nest.  So cool.  Because the area is a park there were boardwalks and stairs to protect the flora and fauna.  I just walked up the stairs and was eye level to the nest!  I spent a long time photographing the parents coming and going.  

Sadly, by the time we came through two weeks later the chicks had already fledged.

Thanks for stopping by.  I will be back next Friday!   See you then.  

This was my very first show at Visual Effects since they started representing my work.  It was such a great experience.  For the first 5 years I held the show at my house, which meant that we had to prepare the space by moving furniture into other rooms which transformed our living/dining room into a gallery.  I have a great hanging system so that was very helpful.  I had to stop painting much earlier so that I could get everything prepared and be ready.  I had to plan everything and do everything except on the last day before the opening when my husband would take the day off to help. 
 
This year I brought my watercolour paintings to them by the end of September so that they would have time to frame them.  Though a few of the larger paintings  I still used my exhibition frames so that folks could choose their own framing.   I was able to continue with my acrylic painting right up until Tuesday, just before the opening on Thursday evening.  After my last painting was varnished Ian delivered it on Thursday morning to the gallery.    
 
My husband took the Thursday day off, like he usually does, but really, he didn’t need to this year.  As everything was all under control.  Peter and John did all the preparation of the show on their end.  We just came with food and wine at 4:30ish. 

Thanks to these two fabulous guys!  I really appreciate all the support they have given me since my work has been in the gallery. 

Thanks for stopping by.  See you next week.  

Well it has been a while.  I am glad to be back. 
 
My art show was  in the middle of November (time is rushing past).  It was a wonderful event.  After 4.5 months of intensive painting it was wonderful to walk in and see all the work hanging as a collection.  All fall I work away and never really get to see the work as a whole.  Once a piece is finished, I hide it away to protect it and then I am off to the next one.  

I have done this process now for 6 years equaling to 6 annual art shows.  Each year there is a point during that I feel overwhelmed, tired and unsure if I will have enough work. This leads to me wondering about my sanity and why I do this to myself every single fall.  That is until all the work is hanging and then I absolutely know why I work so hard.  It is very satisfying accomplishment (after the fact).

Getting ready for a show is not for the faint of heart. It requires dedication, organizational skills and a willingness to retreat from the world nearly completely for months on end.  Those painting days, which if you get a postcard invite to my show you already know that I count them down rather obsessively, as each and every one of them are fleeting and precious.  As they go past I worry about how I am going to create enough work.  But I have learned to just tuck my head down and focus on today…tomorrow will come and then it will be today.
 
I was pleased to have created 6 watercolour paintings and 8 acrylic paintings of birds.  Not a bad amount for a show.  
 
Here are a few photos from the opening.  Thanks for dropping by.  See you next week.  

I have gotten to the point in my painting development it seemed logical to start a new challenge, to take the next skill expansion steps and to be brave!  I have been entering into juried shows with the Federation of Canadian Artists out of Vancouver BC over the past 18 months.  I have had about a 30% success rate so far.  The competition is pretty stiff as there are now 2900 artists registered with FCA and they are now receiving about 500 entries for shows that only have space for 60 pieces.  

So the logical next step is to start to expand into different kinds of shows in Canada and the USA.  Well logical to me anyway. I made a list of 6 shows (beyond 2 of the FCA shows) I would like to enter a painting into.  I focused all of January and February on painting for these shows.  I only was able to enter into 3 of the 6 shows.  LOL it takes a long time to do these paintings...always longer than I hope for. 

So on April 16th I received a message from an artist friend congratulating me for having a painting accepted into the Richeson75 2018 Still Life & Floral exhibition.  This is the response that I had below.  I was completely stunned, super excited and completely breathless.  See photo below!  Thankfully two of my sons and my parents were willing to listen to me being crazy excited for a long time that night as my husband was in the midst of Arctic Winter Games prep.  

I really thought it would be 3 to 5 years before my paintings were at the level to be accepted into these big shows...and I am pretty sure that I am not completely mistaken in that expectation.  But, here I am with a piece accepted into my second big show I entered.  Wow universe thanks for the message that I am going in the right direction and for the total incentive to keep my nose to the grindstone and paint. (lol too bad I am traveling a lot for the next 4 months...of course)

'Glow', 15x22in, Watercolour (Sold) - juried into Richeson75 2018 Still Life & Floral Exhibition (on-Line)

Today the link goes live to the Show.  Click HERE!

Over the years I have been following a number of the artists who were also accepted and I am amazed and humbled to be part of a show that they are in.  There are an amazing range of artists from all over the world in the show. 

So what am I doing now?  I am finished up one commission and getting the second commission set up so that I when i get back from visiting our oldest then I can start painting it before I head out on the next trip!  Then I am packing and sorting and getting ready to head out.  So all this exciting energy kind of not going to get used...darn but isn't that what life is like, isn't it.  

Thanks for stopping by to share my fun news.  Tell me what you think... :)

Is there nothing better than sitting out in your backyard eating summer ripe berries?  The sun on your back, and sweet delicious fruit...yup you can tell it is the middle of winter and I am beginning to dream of spring time. 

This painting is from photos I took way back in 2013 but I wasn't confident enough to try to paint from the images I got.  Painting glass is more than a bit intimidating. There is a lot on information in a very small space. I had to also develop my patience level because it also takes quite a bit of time to properly and carefully capture all the abstract shapes in the glass.  

Fear is a big part of what artists have to overcome.  Fear can hold one back, not allow one to expand and develop.  People are surprised to hear that I too feel fear.  Sometimes it slows me down for a bit, but then I find a way to get beyond it.  Mostly by asking myself "What is the worst thing that can happen?" The answer "the painting doesn't work!" Yes indeed it may not work but what harm does that have on me...none.  Every painting I find that I continue to develop and learn.  I have burned quite a few paintings that were not to the standard that I want in the world but as they burned I say "Thank you for what you taught me". :) 
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Above are some of the images that I took on that hot summer day in 2013.  I bet you can see a theme (beyond berries).  I adore black and white fabric.  I had an extensive collection when I quilted and I never ever made a quilt with it.  I just had a hard time cutting it.  So I sold the vast majority of my fabric collection in the fall of 2016 once we moved back into the house.  I don't quilt any more so why have my fabric collection take up so much space. Don't worry it went to a very loving home where the first quilt my friend made...was with the black and white collection.  I LOVE IT! :)  You can see how interesting some of the set ups are but some are not at all.  That is the joy of digital photos...at least you can through the vast majority of the images away.  

Step by step...day by day...my painting grows and so does my confidence.  I know I have been bitten by the painting glass bug!  Wow it really pushed me to render this as accurately as possible.  Below is the completed painting.  I am really pleased with the glass. 

"The Sweetness of Life" , 38x56cm (15x22in), Watercolour on 140 lb Arches Cold Press

What did I learn on this piece...strawberry seeds are crazy for the amount of time they take...each one had at least 3 layers on them. I am not sure I will want to take on doing another strawberry for a very long time.  LOL.   Creating a smooth berry turns out to be a small challenge.  One that I will have to work on to even get better.  The other big lesson was that I should never let impatience get the better of me...putting all the little dots of masking fluid got away on me because I was impatient...then at the end I had to 'fix' a bunch of unnecessary areas which added a fair amount of extra time. 

 I would love to hear what you think of this painting.  :) ​Thanks for stopping by.

I have been enjoying painting this winter.  The first painting I accomplished for the new year is 'Venus on the Shelf' 40x50cm Acrylic on cradled board.  I began with playing the various elements that I had collected. I ordered a range of used books with Venus in the title.  It was really hard not to order some of the books.  What great titles I found to use: Unearthing Venus, The Venus Fixers, Venus Prime, Venus with Bicepts and the list goes on and on.  I couldn't fit in some of the titles I got a kick out of like Venus Envy and Cruel Venus.   

Above are a few of the set ups that I did.  The bottom one is the one I finally decided on.  

​Then I began to paint!  Working back to front. 

I discovered that I need to have a tool to help me see the small details of the still life.  So after hours of trying to find exactly what I was looking for with binoculars I finally contacted an artist who I follow and asked where he got the ones I see him use.  Thankfully artists are so helpful and I received a response right away and had the binoculars ordered right away.  I can't wait to work on my next still life...that will be in March. It is a commission so I won't share until it has been gifted.  :)

It was a real challenge in a number of ways but I was able to stay focus and got through it fairly unscathed.  :) 

This painting is available and can be found HERE.  

I would love to hear what you think of the painting.  Thanks for dropping by.